I aim to demystify Maroger Medium for painters interested in understanding it clearly and practically. Jacques Maroger describes six distinct base recipes, each with different handling and properties. He also provides historical context for these mediums and speculates on the intentions of early writers.
For painters who wish to use Maroger Medium effectively, a solid understanding of canvas preparation is essential. I present the fundamentals here because the principles of properly preparing a canvas are rarely taught in art schools.
Without proper preparation, a canvas will never produce the results this medium was intended to achieve.