Features Of The Face

This course is from Eduard Lantéri's Modelling and Sculpture

I provided a PDF of Lantéri's own book on this chapter for free.
I have provided extra materials in the last PDF.

Features of the Face | Introduction

Facial Features: Lantéri Method

Based on Édouard Lantéri’s Modelling and Sculpture methods for constructing facial features
Focuses on anatomical landmarks, planes, and proportion rather than surface detail
Teaches modeling from general masses to specific forms for structural clarity
Applies directly to clay and sculptural practice, not illustrative shortcuts

Features of the Face: The Mouth | Structure, Proportion, and Expression

Sculpting the Mouth (Lantéri Method)

Construct the mouth as a three-dimensional volume, not a line or outline
Anchor the form to underlying anatomy: dental arch, maxilla, and mandible
Establish the central mass and corner nodes before refining the lips
Model from general planes to subtle transitions, avoiding premature detail

Features of the Face | The Nose

Sculpting the Nose (Lantéri Method)

Begin with the nose as a single structural mass, not separate parts
Establish the root, bridge, and tip in correct proportion before detail
Anchor the form to the nasal bone and cartilage framework
Refine planes gradually, preserving clarity of structure over softness

Sculpting The Ear

Sculpting the Ear (Lantéri Method)

Treat the ear as a constructed relief form, not a flat outline
Establish the outer rim (helix) and inner mass before secondary folds
Anchor proportions to the angle, height, and placement relative to the head
Model from simple planes to complex turns, keeping structure clear and readable

Sculpting The Eye

Sculpting the Eye (Lantéri Method)

Construct the eye as a spherical form set within the socket, not as an isolated shape
Establish the brow ridge, upper lid, and lower lid planes before detailing the eyelids
Anchor the eye to the orbital bone structure to maintain correct depth and placement
Refine the lids as wrapping forms around the sphere, avoiding linear or graphic treatment

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